Monday, July 6, 2009

Microphone Placement by Adrian Bell



Hi again. We're bloggin'. Great to have you back, did you bring any baked goods? No? Well, please remember to do so next time you stop by.

Microphones for professional voice overs vary in cost from cheapies at $150 bucks to precious ones in the thousands. A quick check on eBay for Neumann microphones makes any experienced Voice Talent's heart race. Those old classic Neumann's are just awesome. Beautiful things indeed.

Regardless of what Mic you use, mic placement or 'mic technique' as it's sometimes called, is vital for quality voice work. For this writing let's assume you're not using a splash guard or mic sock. For the uninitiated reading, a mic sock is a soft, foam guard that slips over the microphone. You've seen them on reporter's mics on tv and no doubt the occasional movie. Mic socks or splash guards were designed to assist in the recording process. They dim the sound of 'spritz' hitting the microphone itself. Spritz being the saliva that flies out of your mouth when you're laying down that CLIO winning commercial. The guards also help reduce the sound of hard consonants or P's from popping.

But we're not using a guard here in this example...So how do you stop the extraneous sounds (saliva and P's popping) from getting on your recording?  Simply by gently moving your head ever so slightly away, or to the left or right of the mic when doing your read. For example, let's say you're doing your boogie and in the script comes a big fat letter 'P',...like say "Pampers".
And who wants to mess up the actual brand name like Pampers? Just as you say the word Pampers, you tilt, shift, move you head just a little to avoid the 'P' from popping. Now that burst of air for the 'P', won't hit the mic straight on, so no 'P' popped. Your producer and the client listening in the studio will thank you for it.

Mic technique, it's part of that old adage 'what goes in, is what comes out'. So if you start with a clean read, a voice over with no spittiness and no popped hard consonants, you're a step closer to that coveted CLIO Award.

See ya next time, and remember to bring some butter tarts will ya?

Adrian Bell
Voiceover Toronto



Monday, June 29, 2009

"Can we punch that in?" By Voice Artist Adrian Bell

Welcome reader of blogs. Glad you came in. Can I offer you a drink?
"Try the fresh new taste of Lipton Green Tea!"
Sorry, I actually have no green tea here, but I do have a brand new blog.
It'll be a compendium of random thoughts, scribbles, posting and musings
on the world of Voiceover. I'm Adrian Bell and welcome to Voiceover Toronto.
Did I really just use the word compendium?

"Can We Punch That In?"

Love the punch in. Thats when the director likes...did I say likes...I meant LOVES everything you've done up to a certain point or mark in the script. He/she wants to keep that part of the voiceover, but have you record the lines after that. So, they 'punch in'. Even though I've been doing voiceovers for years, I still love the idea of the punch -in.

"Your cue Adrian is, 'on Lake Muskoka'"

'Sure, got it'

Tape rolls: "...luxury homes on beautiful Lake Muskoka"

PUNCH

Adrian:  "...Come see our model suites this Saturday"

"Beautiful. Sounds great"

Ahh yes, the punch in. What a feeling.

This was a random blog written on the mobile. A first entry after
creating the blog and blogname minutes ago.  Thanks for reading.
Need a Voice Artist for a commercial, promo, corporate video,
TV show, or ______? I'd be happy to provide you with some.
Just leave a comment with contact details!

Adrian Bell
Voiceover Toronto.

Can we pinch that in?